EPIC DRAGON

With the 6K RED DRAGON® sensor, you can capture over 9x more pixels than HD. Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. Industry leading specs distinguish the EPIC DRAGON as a model for image innovation, helming the evolution of digital cinema technology.

SENSOR: 19 MEGAPIXEL DRAGON™
PIXEL ARRAY: 6144 (h) x 3160 (v)
S/N RATIO: 80db
DYNAMIC RANGE: 16.5+ stops
MAX IMAGE AREA: 6144 (h) x 3160 (v)
LENS COVERAGE: 30.7mm (h) x 15.8mm (v) x 34.5 mm (d)
DEPTH OF FIELD: Equivalent to S35mm (Motion) lens, 16mm (Motion) lens in 2k RAW
ACQUISITION FORMATS: 6K RAW (2:1, 2.4:1)
5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
3K RAW (16:9, 2:1 and Anamorphic 2:1)
2K RAW (16:9, 2:1 and Anamorphic 2:1)
1080p RGB (16:9)
720p RGB (16:9)

PROJECT FRAME RATES: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions

DELIVERY FORMATS*: 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4

PROGRAM OUTPUT: HD-SDI Clean Feed
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio

MONITOR OUTPUT: HD-SDI and HDMI with Frame Guides and Look Around 2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio

DIGITAL MEDIA RED MAG SSD MODULE: 64GB, 128GB, 256GB Capacity

REDCODE™: Compression choices of 18:1 to 3:1
12 and 16-bit RAW : Compression choices of 18:1 to 3:1
1-100 fps 6K
1-120 fps 5K, 4.5K
1-150 fps 4K
1-200 fps 3K
1-300 fps 2K

AUDIO: 2 channel, uncompressed, 24 bit, 48kHz.
Optional 4 channels, AES / EBU digital audio.

MONITORING OPTIONS: RED LCD 5" Flat Panel Displayer
RED PRO LCD 9" Flat Panel Display
BOMB EVF™ High Definition Viewfinder
REMOTE CONTROL: Wireless, Ethernet, RS232, GPI Trigger
WEIGHT: 5 lbs. Body only
CONSTRUCTION: Aluminum Alloy
TEMPERATURE RANGES: Operating Range: 0˚C to +40˚C (32˚F to 104˚F)
Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)
RED EPIC DRAGON
ALEXA CLASICA & ALEXA PLUS CLASICA
ALEXA CLASICA & ALEXA PLUS CLASICA

First generation ALEXAs are called ALEXA Classic cameras. They were released between 2010 and 2012. They have exceptional image performance and are simple to operate, reliable in the most extreme environments and versatile enough to cover a wide range of workflows and budgets. They will empower you to tell your story with pictures of breathtaking richness and detail.

Camera Type: 35 format film-style digital camera with an electronic viewfinder, a 16:9 active sensor area, integrated shoulder arch and receptacles for 15 mm lightweight rods

Sensor: 35 format ALEV III CMOS sensor with Dual Gain Architecture (DGA) and Bayer pattern color filter array.

Photosites 16:9
2880 x 1620 used for ARRIRAW 16:9
2880 x 1620 down sampled to 1920 x 1080 for HD-SDI, ProRes HD 16:9 and DNxHD HD 16:9
2868 x 1612 down sampled to 2048 x 1152 for ProRes 2K 16:9
Operating Modes: Regular or High Speed mode. High Speed mode requires license purchase.

Frame Rates: 16:9
ARRIRAW 0.75 - 60 fps ProRes HD 0.75 - 120 fps
ProRes 2K 0.75 - 60 fps
DNxHD HD 0.75 - 120 fps

NOTE: All speeds adjustable with 1/1000 fps precision. To record above 60 fps, the camera needs to be switched to high speed mode (optional license).

Shutter: Electronic rolling shutter, 5.0º - 358.0º up to 60 fps; 5.0° to 356° above 60 fps. Shutter angle adjustable with 1/10 degree precision.

Filters: Permanent filters in front of the sensor: optical low pass, UV, IR

Exposure Latitude: 14+ stops for all sensitivity settings from EI 160 to EI 3200, as measured with the ARRI Dynamic Range Test Chart (DRTC).

White Balance: Presets for 3200 (tungsten), 4300 (fluorescent), 5600 (daylight) and 7000 (daylight cool). Automatic calculation or manual white balance for 2000 to 11000 Kelvin, adjustable in 100 K steps

Sound Level: Under 20 db(A) while recording ProRes @ 24 fps and ≤ +30° Celsius (≤ +86° Fahrenheit) with lens attached and fan mode set to 'Regular', measured 1 m/3 feet in front of the lens. Silent operation at higher temperatures possible with fan mode set to 'Rec low'.

Power In: Three possible inputs: BAT connector, optional battery adapter back or optional battery adapter top. All inputs accept 10.5 to 34 V DC. Approx. 85 W power draw for camera and EVF-1 in typical use recording ProRes at 24 fps to an SxS PRO card at room temperature, without accessories.

Power Out: 12 V connector: limited to 12 V, up to 2.2 A. RS, EXT and ETHERNET: input below 24 V is regulated up to 24 V; above 24 V: input voltage = output voltage. RS and EXT connectors combined are limited to 2.2 A. ETHERNET is limited to 1.2 A. Maximum power draw is also limited by the power source.

Weight: ALEXA body with SxS Module: 6.3 Kg/13.8 lbs.

ALEXA body with SxS Module, electronic viewfinder and handle: 7.7 Kg/16.9 lbs.

Dimensions: Length: 332 mm/12.95”, width: 153 mm/6.02”, height: 158 mm/6.22”.

Working Conditions: -20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing. Splash and dust proof through sealed electronics. System cooling through radiator/single fan.

Viewfinder: Low latency (≤1 frame delay) electronic color viewfinder ARRI EVF-1 with 1280 x 784 F-LCOS micro display (image: 1280 x 720, status bars: 1280 x 32 above and 1280 x 32 below image) and ARRI LED illumination, both temperature controlled. Image can be flipped for use of viewfinder on camera left or right. Viewfinder Mounting Bracket allows movement of viewfinder forward/backwards, left/right, up/down, 360 degree rotation and placement on camera left or right. EVF-1 controls: viewfinder and basic camera settings, ZOOM button (2.25x pixel to pixel magnification), EXP button (false color exposure check) and jog wheel.

In-camera Recording: QuickTime/ProRes or MXF/DNxHD recording onto one or two (Dual Recording) SxS PRO cards. All formats include embedded audio, timecode and metadata.

Recording Outputs: 2x 1.5G or 3G REC OUT BNC connectors for ARRIRAW T-Link or HD-SDI video. Both with embedded audio, timecode, metadata and recording flag.

ARRIRAW: 2880 x 1620 (16:9), uncompressed, unencrypted 12 bit log without white balance or exposure index processing applied. Requires an ARRIRAW T-Link certified recorder.

HD-SDI video: uncompressed 1920 x 1080 (16:9) 4:4:4 RGB or 4:2:2 YCbCr at 23.976, 24, 25, 29.97, 30, 50, 59.94, or 60 fps. Recording other speeds requires a recorder with Variflag support. Legal or extended range signal mapping.

Monitor Output: 1x MON OUT BNC connector for uncompressed 1.5 G HD-SDI video: 1920 x 1080 (16:9), 4:2:2 YCbCr; legal range HD video at 23.976, 24, 25, 29.97, or 30 fps. Embedded audio, time code, metadata and recording flag.

Image Processing: 16 bit linear internal image processing in full ALEXA native color space. Target output color spaces for ProRes, DNxHD, REC OUT and MON OUT: Log C or Rec 709. For Rec 709, a customized look can be applied during record and playback with ARRI Look Files. Optional horizontal image mirroring.

Synchronization: Master/Slave mode for precision sync of settings, sensor, processing, HD-SDI outputs and QuickTime/ProRes or MXF/DNxHD recording for 3D applications. PHASE user button for shifting camera phase to move phase artifacts out of frame, i.e. when shooting a CRT monitor or rear screen projector (works in Rec Run TC mode).

Audio: 1x XLR 5 pin AUDIO IN for 2 channel, line level, balanced audio. 24 bit/48 kHz A/D conversion. Uncompressed PCM audio recording to ARRIRAW, ProRes, DNxHD and embedded in all HD-SDI outputs. Only available with same project/sensor speed at 23.976, 24, 25, 29.97 and 30 fps. Max of 2.5 dBm output from AUDIO OUT headphones connector.

Connectors: 2x slots for SxS PRO cards (SxS)

2x BNC recording out HD-SDI, 1.5G/3G (REC OUT 1 and REC OUT 2)

1x BNC monitoring out HD-SDI, 1.5G (MON OUT)

1x XLR 5-pin analog audio in (AUDIO IN)

1x BNC return video in HD-SDI, 1.5G (RET/SYNC IN)

1x LEMO 16-pin external accessory interface (EXT)

1x Fischer 2-pin 24 V power in (BAT)

2x Fischer 3-pin 24 V remote start and accessory power out (RS)

1x LEMO 2-pin 12 V accessory power out (12 V)

1x LEMO 5-pin timecode in/out (TC)

1x TRS 3.5 mm headphone mini stereo jack (AUDIO OUT)

1x custom LEMO 16-pin electronic viewfinder (EVF)

1x custom LEMO 10-pin Ethernet with 24 V power (ETHERNET)

BNC connectors designed for fast exchange without camera disassembly have been used for ALEXA since approximately mid 2012. These connectors require a special tool. SD Card: For importing and storing ARRI Look Files, camera set up files, frame line files, feature license keys and user pixel masks. Stores captured stills from the REC OUT image path in ARRIRAW (.ari, 12 bit), TIFF (.tif, 16 bit), DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format (1). Stores log files. Also used for installing Software Update Packets (SUPs).

(1) When REC OUT is set to 'ARRIRAW', frame grabs are only possible in the .ari format. Frame grabs are not possible during High Speed, 16:9 2K or when the option 'REC OUT = MON OUT Clone' is chosen.
EPIC ushers in the next generation of digital cinema, featuring a 5K sensor capable of capturing 1 to 120 frames per second at full resolution. From fashion spreads to 3D IMAX features, EPIC has crossbred elite photography with unrivaled cinema capability—all in a camera the size of a DSLR. In challenging lighting conditions, EPIC makes it easy to adapt with its ability to reach up to 18 stops of dynamic range with HDRx. Remarkable technology packed into a 4lb body - with EPIC, less is more.

SENSOR: 14 MEGAPIXEL MYSTERIUM-X™

PIXEL ARRAY: 5120 (h) x 2700 (v)

S/N RATIO: 66db

DYNAMIC RANGE: 13.5 stops, up to 18 stops with HDRx™

MAX IMAGE AREA: 5120 (h) x 2700 (v)

LENS COVERAGE: 27.7mm (h) x 14.6mm (v) x 31.4 mm (d)

ACQUISITION FORMATS: 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)

4.5K RAW (2.4:1)

4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)

3K RAW (16:9, 2:1 and Anamorphic 2:1)

2K RAW (16:9, 2:1 and Anamorphic 2:1)

1080p RGB (16:9)

720p RGB (16:9)

PROJECT FRAME RATES: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions

DELIVERY FORMATS*: 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)

2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)

1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG

Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4

* FROM REDCINE-X

PROGRAM OUTPUT: HD-SDI Clean Feed

2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2

SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio

MONITOR OUTPUT: HD-SDI and HDMI with Frame Guides and Look Around

2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2

SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio

DIGITAL MEDIA: REDMAG (SSD) Module : (64, 128, 256, 512GB Media) REDCODE™: 12 and 16-bit RAW : Compression choices of 18:1 to 3:1

1-120 fps 5K, 4.5K

1-150 fps 4K

1-200 fps 3K

1-300 fps 2K

AUDIO: 2 channel, uncompressed, 24 bit, 48kHz.

Optional 4 channel, and AES / EBU digital audio.

MONITORING OPTIONS: RED LCD 5" or 9" Touchscreen Display

BOMB EVF™ High Definition Viewfinder

REMOTE CONTROL: Wireless, Ethernet, RS232, GPI Trigger

WEIGHT: 5lbs. Body only

CONSTRUCTION: Aluminum Alloy

TEMPERATURE RANGES: Operating Range: 0˚C to +40˚C (32˚F to 104˚F)

Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)

EPIC MISTERIUM-X
RED ONE
The RED ONE redefined digital cinema upon its arrival, democratizing 4K capture and challenging the status quo. Utilizing an S35mm image plane, the RED ONE displays a natural depth of field from 2K to 4.5K resolutions. Seize every moment with the ability to capture anywhere from 1-120 fps onto high-speed RED CF or SSD media. Interchangeable lens mounts and free firmware updates keep the RED ONE versatile, letting you and your equipment thrive on the cutting edge. A revolution always starts with ONE.

SENSOR: 14 MEGAPIXEL MYSTERIUM-X™

PIXEL ARRAY: 5120 (h) x 2700 (v)

S/N RATIO: 66db

DYNAMIC RANGE: 13+ stops

MAX IMAGE AREA: 4480 (h) x 2304 (v)

LENS COVERAGE: 24.2mm (h) x 12.5mm (v) x 27.3mm (d)

DEPTH OF FIELD: Equivalent to S35mm (Motion) lens, 16mm (Motion) lens in 2k RAW

ACQUISITION FORMATS: 4.5K RAW (2.4:1)

4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)

3K RAW (16:9, 2:1 and Anamorphic 2:1)

2K RAW (16:9, 2:1 and Anamorphic 2:1)

PROJECT FRAME RATES: 23.98, 24, 25, 29.97 @ 4.5K, 4K
50, 59.94 fps@ 3K, 2K

DELIVERY FORMATS*: 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)

2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)

1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG

Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4

* FROM REDCINE-X

MONITOR OUTPUT: HD-SDI and HDMI with Frame Guides and Look Around

720p RGB or 4:2:2

SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio

DIGITAL MEDIA: REDFLASH (CF) Module : (16GB Media)

RED SSD™ (64GB, 128GB, 256GB Capacity)

REDCODE™: 12-bit RAW : RC28, 36, 42 Quality Levels

1-30 fps 4.5K, 4K

1-60 fps 3K

1-120 fps 2K

AUDIO: 4 channel, uncompressed, 24 bit, 48kHz.

MONITORING OPTIONS: RED LCD 5" Flat Panel Dsiplayor

RED PRO LCD 7" Flat Panel Display

BOMB EVF™ High Definition Viewfinder

REMOTE CONTROL: USB-2, GPI Trigger

WEIGHT: 10lbs. Body only

CONSTRUCTION: Aluminum Alloy

TEMPERATURE RANGES: Operating Range: 0˚C to +40˚C (32˚F to 104˚F)

Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)